• Home Page ­ www.traditionalharps.com
• Main Menu ­ the navigation center for this site
• Organization ­ navigation sub-menu
  • The Shop ­ company history
  • Our People ­ biographies of our people
  • How to Reach Us ­ navigation sub-menu
    • Directions & Map ­ graphic and written directions
    • Local Accommodations ­ hotels, motels and resorts
    • Address & Phone
    • Links to Rising Sun Sites ­ travel planning information
• Instruments ­ navigation sub-menu
  • Harps ­ navigation sub-menu
    • Morgan Meadow ­ 23 string lap harp
    • Logan Meadow ­ 29 string harp
    • Double Logan ­ 58 string double harp
    • Glen Aulin ­ 34 string harp
    • Aberdeen Meadows ­ 36 string harp
    • Cascade Meadows ­ 58 string cross harp
    • Suites ­ matching music stands and harp stools
  • Customization Resources ­ navigation sub-menu
    • Ornamentation ­ how to order ornamentation and menu
    • Painting ­ painted ornamentation information
    • More Painting Samples ­ additional examples of painted ornamentation
    • Carved Overlay ­ carved overlay ornamentation information
    • More Carved Overlay Samples ­ additional examples of carved overlay
  • Blank Harp Dwg. ­ blank for ornamentation layout
  • Design Catalog ­ navigation sub-menu
    • Celtic Animals
    • Celtic Floral
    • Celtic Knots
    • Celtic Zoomorphs
    • Leaves & Flowers
    • Lettering and Family Crests
  • Woods ­ images of harp woods for selection
  • Other Custom Options ­ under construction
  • Ordering Information ­ ordering terms and conditions, warranty, etcetera
• Accessories ­ navigation sub-menu
  • Harp Strings ­ string charts navigation sub-menu
    • Morgan Strings ­ string chart for our 23 string lap harp
    • Kelty Strings ­ string chart for our 22 string lap harp
    • Kerrick Strings ­string chart for our 22string lap harp
    • Logan Strings ­ string chart for our 29 string harp
    • Double Logan Strings ­ string chart for our 58 string double harp
    • Tuolumne Strings ­ string chart for our 29 string harp
    • Glen Aulin Strings ­ string chart for our 34 string harp
    • Aberdeen Strings ­ string chart for our 36 string harp
    • Cascade Strings ­ string chart for our 58 string cross harp
    • Mirror Strings ­ string chart for our 58 string double harp
  • Harp Bags ­ custom carrying bags
  • Harp Music ­ harp music and books
  • Music Stands & Harp Stools ­ harp stool and music stand information
  • Tuner ­ chromatic tuner
  • Pickup & Preamp ­ Acoustic Lens & the Amulet System
    • Pickup Diagram ­ a diagram of how the Acoustic Lens works
• Resources ­ navigation sub-menu
  • 911 Harp ­ Harp Troubleshooting navigation menu
    • Changing A String
    • Stiff Levers
    • More On Sharping Levers
    • My Harp Has A Buzz
    • Slipping Pins
    • Deburring ­ string breaking in the same place
    • Finding A Harp Repair Person
    • Harp Repair Kit
  • Harp Care Hints ­ navigation sub-menu
    • What to do when Your New Harp Arrives
    • Tuning A Harp
    • More Tuning Hints
    • Preventing Cracking
    • Tuning A Lever
    • Hot, Cold, Wet, Dry ­ environmental concerns
    • Protecting the Finish
  • General Articles ­ all kinds of harp information, navigation sub-menu
    • Harp Parts ­ a labeled diagram
    • Types of Strings
    • Types of Pins
    • Luthier v. Woodworker ­ what is the difference
    • Asymmetrical Soundboard ­ an important aspect of all Rees harps
    • The Magic & Ease of the Harp ­ an overview for beginners and dreamers
    • Socities & Publications ­ the harp community
    • Glossary ­ harp terms
    • Harp Myth 1, Bigger Is Better ­ why harps are different sizes
    • Harp Myth 2, Standard String Spacing
    • Harp Myth 3, Flat, Round & Staved Backs
    • Harp Myth 4, How to Buy A Harp
    • Harp Myth 5, About Wood ­ general information about harp woods
    • Harp Myth 6, Cracking ­ why wood cracks
    • Harp Myth 7, Hardwoods & Endangered Woods ­ why we use certain hardwoods and not others
    • Harp Myth 8, Tonewoods & Soundboards ­ why we use certain tonewoods
    • Harp Myth 9, Laminates & Composites
    • Harp Myth 10, A Harp By Any Other Name ­ what to call this kind of harp, a discussion of terms
    • Harp Myth 11, A Needle In A Haystack ­ finding the right harp teacher
    • Laurie Riley Answers Questions ­ comments from a pro
    • Laurie Riley: Music Heals ­ harp music for healing and transition
    • Laurie Riley and Michael MacBean ­ preventing harp­related injury
    • FAQ's ­ frequently asked questions
• The Closer I Get To You ­ where we are and our newsletter, navigation sub-menu
  • Travel Schedule ­ where we are going to be and when
  • Sawdust Evening Post ­ the latest news from us
• E-Mail Us
• Download Menu ­ compressed versions of our catalogs and resources

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© Wm. Rees Instruments, 1997, 1998, 1999, 2000
222 Main Street, Rising Sun, Indiana 47040 • voice: (812) 438-3032 • web: http://traditionalharps.com
The address of this page is: http://traditionalharps.com/ReesSiteMap.html